The 100 Best Movies of the 21st Century
The 100 Best Movies of the 21st Century
268 days agoThe DailyThe New York Times
Podcast40 min 33 sec
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Note: AI-generated summary based on third-party content. Not financial advice. Read more.
Quick Insights

Theatrical releases create more valuable, memorable assets than streaming-first films, posing a long-term risk to the perceived value of streaming-exclusive content libraries. Warner Bros. Discovery (WBD) is well-positioned due to its library of unique, theatrically-proven assets like "Mad Max: Fury Road" and "The Dark Knight". WBD is also competing aggressively in streaming by marketing its Max service with a pipeline of new films and a competitive $9.99/month price point. For Disney (DIS), investors should watch for projects led by acclaimed directors, as this is a key driver for creating culturally significant and successful franchise films. Ultimately, media companies that prioritize a strong theatrical window for major films may be creating more durable long-term value.

Detailed Analysis

The Walt Disney Company (DIS)

  • The transcript discusses the Marvel universe, which is owned by Disney.
  • There is a nuanced sentiment regarding its superhero films. While the genre is seen by industry insiders as potentially formulaic and not always standing the "test of time," specific films are highlighted as major successes.
    • "Black Panther" is praised for resetting "the game" by infusing culture into the Marvel universe, proving that cultural specificity can be a major draw for audiences. The film is described as making its story feel "fresh" and creating a deep connection with both the hero and the villain.
    • "Avengers Endgame" was mentioned as appearing on the reader's choice list, indicating continued strong populist appeal for the franchise.
  • The discussion suggests that the success of these major franchise films often hinges on pairing them with "auteur" directors like Ryan Coogler, who have a unique point of view.

Takeaways

  • Franchise Strength: Disney's Marvel properties remain culturally and commercially powerful, with the ability to produce films that resonate deeply with audiences, as seen with "Black Panther".
  • Director-Driven Success: The quality and cultural impact of Disney's blockbuster films may be heavily dependent on the creative vision of the directors they hire. Investors should watch for projects led by acclaimed "auteur" filmmakers, as these may have a higher potential for both critical and commercial success.
  • Long-Term Value: While many superhero films might "blur together," standout films like "Black Panther" can create lasting cultural value and brand equity, which is a positive indicator for the long-term health of the franchise.

Warner Bros. Discovery (WBD)

  • An advertisement for HBO Max (now Max) was featured, promoting its pipeline of new movies and highlighting a subscription plan starting at $9.99 a month.
  • The podcast discusses director Christopher Nolan having the most films on the top 100 list (five), including "The Dark Knight." Nolan has historically been a key partner for Warner Bros. studio. This highlights the value of relationships with top-tier "auteur" talent.
  • The movie "Mad Max: Fury Road," a Warner Bros. film, was discussed with extreme passion for its unique, visceral, and practical filmmaking style, which is seen as something that can no longer be replicated at that scale.

Takeaways

  • Streaming Content & Pricing: WBD is actively marketing its streaming service Max with a pipeline of new film content and a competitive entry-level price point of $9.99/month.
  • Value of Auteur Relationships: The company's historical success with directors like Christopher Nolan and George Miller demonstrates a key competitive advantage. The ability to attract and facilitate the vision of such filmmakers can lead to highly-praised, culturally significant, and profitable films that anchor its library.
  • Unique Library Assets: Films like "Mad Max: Fury Road" are viewed as singular assets that are difficult to replicate, adding significant long-term value to the company's content library and differentiating it from competitors.

The New York Times Company (NYT)

  • The podcast itself is a product of The New York Times, and the episode centers on a movie list they published.
  • The list generated "furious debate" and massive engagement, with millions of people reading it and over 200,000 reader ballots submitted for a parallel list.
  • This demonstrates the company's significant cultural influence and its ability to create content that captures widespread public attention beyond hard news.

Takeaways

  • Brand Strength & Engagement: The New York Times has a powerful brand that can drive huge engagement on cultural topics, not just news. This ability to become a central part of the cultural conversation is a valuable asset for audience growth and retention.
  • Diversification of Content: Success with cultural content like this movie list shows the company is effectively diversifying its offerings, which can attract a broader subscriber base than a pure news focus might.

Investment Theme: Streaming vs. Theatrical Experience

  • A major theme was the perceived value of the theatrical experience versus in-home streaming.
  • Bearish sentiment on Streaming-First Films: The podcast noted a significant lack of streaming-native movies on both the industry and reader-voted "best of the century" lists.
    • Only one streaming movie ("Roma") made the Hollywood list.
    • Zero streaming movies made the top 100 on the readers' list.
    • The reason suggested is that the streaming viewing experience is less impactful and memorable, as viewers are often distracted ("on your phone," "doing laundry").
  • Bullish sentiment on Theatrical Experience: The theatrical experience is described as "magical," "communal," and "transportive."
    • Filmmakers, actors, and audience members all emphasized that the experience of seeing a film on a big screen in a theater creates a powerful, lasting memory.
    • This "impressive thumbprint on your memory" is cited as a key reason why certain films make "best of" lists and achieve long-term cultural relevance.

Takeaways

  • Risk Factor for Streaming Models: The discussion implies that movies released directly to streaming may struggle to build the same cultural cachet and long-term value as theatrical releases. This could be a headwind for the perceived value of streaming-exclusive content libraries over time.
  • Enduring Value of Theaters: The strong, positive sentiment towards the theatrical experience suggests it remains a vital part of the movie ecosystem. Studios that prioritize a theatrical window for their major films may be creating more valuable, memorable assets.
  • Hybrid Model Advantage: The ideal model may be a hybrid approach. The theatrical release builds the cultural event and memorable experience, while the subsequent availability on streaming provides access and convenience. The podcast notes the incredible access streaming provides to watch the films on the list after the fact.
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Episode Description
Warning: This episode contains strong language. This summer, The New York Times put out a list of the top 100 movies of the past 25 years. It prompted furious debate about what movies stand the test of time, why they matter and what those movies tell us about ourselves. Kyle Buchanan, a pop culture reporter for The Times, discusses how the list came to be, and actors and directors including Celine Song, Molly Ringwald and Ebon Moss-Bachrach speak about their votes. Guest: Kyle Buchanan, who is a pop culture reporter and serves as The Projectionist, the awards season columnist for The New York Times. Background reading:  Read the list of the 100 best movies of the 21st century so far. Here’s how The Times decided on the list. For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Photo: Jake May/The Flint Journal-MLive.com, via Associated Press Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
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