Sunday Special: Bringing Broadway Home
Sunday Special: Bringing Broadway Home
209 days agoThe DailyThe New York Times
Podcast46 min 47 sec
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Note: AI-generated summary based on third-party content. Not financial advice. Read more.
Quick Insights

Consider investing in companies at the center of the expanding creator and fan economy for theater. Amazon (AMZN) is a key player, using its Audible subsidiary to create a unique content pipeline by producing live theater and then monetizing it as exclusive audio content. Streaming giants like Disney (DIS) and Warner Bros. Discovery (WBD) are leveraging exclusive theatrical recordings to attract and retain subscribers, proving that streaming boosts live ticket sales. Audio platforms, especially Spotify (SPOT), are critical for building viral fanbases through cast albums, which drives future commercial success. These companies are effectively monetizing intellectual property and fan engagement in a growing entertainment niche.

Detailed Analysis

Audible (Amazon - AMZN)

  • The company is described as making a significant investment in theater, not just by recording audio productions but by producing live stage shows themselves.
  • This strategy is seen as "giving to theater" rather than just taking from it, creating a positive feedback loop.
  • Audible had its first Tony-nominated show, "Dead Outlaw," this past season, marking a major milestone for the company's theatrical ambitions.
  • A recent production of "Sexual Misconduct of the Middle Classes" starring Hugh Jackman was highlighted as an example that "really works in an audio format."

Takeaways

  • Amazon, through its subsidiary Audible, is building a unique content pipeline. They are vertically integrating by producing live theater, which can generate ticket revenue and critical acclaim, and then monetizing that same content as exclusive audio productions on their platform.
  • This strategy positions Audible as a key player in a growing niche of the entertainment market, potentially attracting new subscribers who are theater fans. For investors in Amazon (AMZN), this represents another avenue of content creation and platform growth.

Streaming Platforms (Disney+, Amazon Prime, HBO)

  • The podcast heavily discusses the shift in the theater industry's mindset: the fear that streaming "live captures" of shows would cannibalize ticket sales has been "proven wrong."
  • Hamilton on Disney Plus (DIS) is used as the primary example. A child's repeated viewing of the streamed version did not diminish the desire to see it live; instead, it enhanced the experience by building deep familiarity and enthusiasm.
  • Amazon Prime (AMZN) is mentioned as a destination for theatrical content, having streamed "The SpongeBob SquarePants Musical" and recently dropping the George Clooney play "Good Night and Good Luck."
  • HBO (WBD) streaming the musical "Waitress" is also mentioned as something that would likely increase, not decrease, demand for a future live revival.

Takeaways

  • Streaming platforms are becoming a crucial marketing and distribution arm for the live theater industry. Releasing high-quality recordings of shows can act as a global advertisement, building a fanbase that will buy tickets when a tour comes to their city.
  • For streaming giants like Disney (DIS), Amazon (AMZN), and Warner Bros. Discovery (WBD), exclusive theatrical content can be a powerful tool to attract and retain subscribers, especially for family and arts-focused demographics.
  • The success of this model suggests a potential new and significant revenue stream for both the theater industry and the streaming platforms that license and distribute the content.

Investment Theme: The Creator & Fan Economy

  • The discussion highlights how modern platforms are changing fan engagement with theater, which in turn drives commercial success.
  • TikTok is described as having a "huge musical theater world" where fans create their own content by recreating dance numbers and moments from popular shows. This organic, user-generated marketing builds a powerful sense of community and connection to the art form.
  • The musical "Be More Chill" is presented as a case study. After a short, unsuccessful run, its cast album gained viral popularity through online streaming, leading to a fan-fueled, successful Off-Broadway and then Broadway run.
  • Spotify (SPOT) is mentioned as the platform where the "Hamilton" cast album was streamed "the hell out of," positioning it as a key "gateway drug" for creating new theater fans.

Takeaways

  • The path to profitability for a theatrical show is no longer limited to the traditional stage. A strong digital presence and a vibrant online fan community can revive a show or turn a modest success into a major hit.
  • Companies that facilitate this fan engagement, like TikTok and audio streaming services such as Spotify (SPOT), are integral parts of the modern entertainment ecosystem.
  • This trend indicates that intellectual property (IP) in theater can have a much longer and more varied life. A show's value can be extended through cast albums, streaming rights, and the social media buzz that keeps it relevant long after its initial run.
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Episode Description
Broadway represents some of the best and most exciting of what American theater has to offer. But for many people, it’s inaccessible. Whether because of geography, cost or other considerations, most people will never sit in a Broadway theater and experience a play or a musical in person. For years, cast recordings have offered a way to experience Broadway shows at a remove. And now, in the streaming era, some Broadway shows are making themselves available to be watched remotely, in movie theaters and on television. Distance and expense aren’t the impediments they once were to culture lovers looking to experience world-class theater. In this episode, Gilbert Cruz talks with Jesse Green and Elisabeth Vincentelli, two of The New York Times’s culture writers, about new ways to experience some of the joys of theater from the comfort of your own home.   On Today’s Episode: Jesse Green is a Culture correspondent, focusing primarily on the fine arts, including theater, classical music and art. Elisabeth Vincentelli writes about culture for The Times.   Background Reading: Want to Listen to Musical Cast Albums? Our Top 10 Desert Island Picks Theater to Stream: Mark Rylance in ‘Twelfth Night,’ and More Times Theater Fans on Their Favorite Musical Cast Albums   Photo Illustration by The New York Times; Inset: Disney+ Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
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